Free Vietnamese Dubbed

be rediscovered

Orazio Gentileschi. Madonna and Child. Said. 1609. Oil on canvas. cm. 98.5 X75
National Art Museum of Romania, Bucharest

's work Orazio Gentileschi represents a fascinating blend of vision and harmonious
derived from classical Raphael and a closer look addressed to the true nature and derived from Caravaggio , in a perfect balance between physical concreteness and abstraction.

This artist also had the distinction of being the master of too many talented artists. In addition to his daughter Artemisia , one of the few women who have managed to develop a successful career at that time, his teaching has been invaluable for foreign artists like Hendick Tebruggen and Vermeer.
Horace has worked in Rome, Genoa, Paris and London, which the Court of Marie de Medici and Charles I, always leaving a significant influence on art and new generations of artists from those cities.
Orazio Gentileschi is an artist with a refined sensibility, particularly in the careful study of the compositions compact lines and bright colors.
One of the most modern production of Horace is in the intertwining art with life. After the juvenile stage, more tied to his Mannerist training, since 1600 his painting is based on (the example of Caravaggio) on the direct . As Horace
models choose the people they know, which are part of his everyday life. Works like the Madonna and Child of Princeton, Madonna Bucharest , the San Francisco supported by an angel, the Holy Family with St. John the Baptist child the Santa Cecilia of Washington, the Rest Flight into Egypt , show a great emotional involvement and ability to capture the human dimension of the situations presented.

interessande A study on this artist is offered by a series of articles published by fluid geometry.

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Van Gogh hidden (but visible to X-rays) at the Vittoriano in Rome





There is a painting in more exposed, but not visible and therefore not in the catalog of the exhibition of Van Gogh at the Vittoriano in Rome. The framework
People who walk in a park (1886), Oil on canvas, 37.5 x 45.5 cm. hides another, a portrait of a man who five years ago, a scholar of the Van Gogh museum had identified a self-portrait of Van Gogh . But I was not in agreement and explained that it was most probably the portrait (or self-portrait?) Emile Bernard, friend Vincent and I entrusted my concern in a note Ansa.

whole story is told in my previous post on my blog, titled: The portrait hidden in a park in Paris is Van Gogh and Emile Bernard?

Antonio de Robertis

**************************************** ***************************

More news on the website under construction http://www.vangoghiamo.altervista.org/ , and http://www.vangauguin/ .
For a discussion of Van Gogh and his works refer to articles published http://www.geometriefluide.com/

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Why Do African Grow Their Pinky Nail

The wolf and the moon and Chef Calesini



Calesini Mara. "At midnight, he collapsed at the foot of the mountain waiting for her sweet love ...". Said. 2010 Mixed media, cm. 24x33. Private collection. Copyright M. © Calesini


moon has always understood and is the object of admiration of poets and painters evanescent, mysterious symbol of the aspiration to find a secret truth, that it sinks to the heart without mediation, and that bypassing the certainties prosaic of everyday life that opens Friedrich, the great Romantic painter , called "the eye of the spirit." Mysterious ways, therefore, its light pale expresses a truth that seems to escape the rational light of day and the truth of the symbolic meanings buried in our unconscious. At the
the ancient civilizations was often a moon goddess, shadowy creature
female gender, the depository of secret initiation that led to life and its mystery . In this tale
delicate, which in reality is perhaps not so fairy tale, because there is almost nothing concrete happens, it tells of a wolf that wanders between the snowy streets of a country and a moon that appears and disappears , beloved of a moon and waiting for the wolf, a symbol both of the male and female, in their chase, and have wanted. This is the meaning of the words of his grandfather addressed his nephew to go to sleep: "My son, wake up! Flying in the sky the moon and the black wolf! Both are wrapped in honey. This is my story, my dear son! ", Which means that the story is nothing but a metaphor for the joys of love, gracefully evoked by the words of Chef Mauro , and that the illustrations by Mara Calesini enhance the simplicity of black and white. The taste ranges from the genuine graphics of figures naive hatch, next to pictures with popular taste, where the backgrounds appear
partially filled by fine cross-hatching, as the concrete world country here recalled, stylized and daring, frankly prone to two-dimensional collage. In contrast to co-present illustrative styles, sometimes harsh, realistic suggestions and silhouette from the archetypal value, express the same dissonance of the written text, making it so effectively the spirit, light and shade and dissonant as the light of love, whose physical charms and spiritual energy is expressed by metaphorical.

Andrea Guaraldo


For more information, fluid geometry has published a page dedicated to the book The Wolf and the moon , written and illustrated by Mauro Chef Mara Calesini .

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Pooling

Association YANVII - Teatro Petrella - Theatre Gambettola - Rad'Art / artec
propose

picture / photo by Nicola Bradonjic (Inglese below)

Pooling

A laboratory Nhandan Chirco

26 to 30 January 2011, 16 -20 h

Event Program

Via the Border / The East Side (of the moon)

Powered by YANVII, Rad'Art Project / Arteco,

Teatro Comunale / Cabin Talent Gambettola

In collaboration with Teatro Petrella



At Teatro Comunale di Gambettola

Date: 26 to 30 January 2011, 16 -20 h

Languages \u200b\u200bof the laboratory: English, Italian, Serbo-Croatian

Participants: 16 (max.)

Information and registration contact:

info@rad-art.org +39 333 8052938 +39 338 1889040

yanvii@hotmail.it

In the workshop we explore possibilities and resources related to work with the body. The approach is related to actor training, and development of individual creative potential. The research on the movement starts from the real factor of a body in space, exploring the physical limits and imaginary, and resources. The work begins with the basic elements of the situation and develops in the tension between two poles: on the one hand, the current context given in the report body / space and actor / audience with the expectations and conventions implied, on the other hand, the flow of individual consciousness, the flow of inner images, memories and feelings. In addition to being guided through the physical training, participants are immersed in fluid sessions where everyone chooses the specific focus of the creative process, in a process of "interrogation" individual looking in the interplay between internal and external elements which are relevant to develop their Action / performative presence. The intensity of work on the move / breath / voice invites you to experience the performance space through the awakening of the body. The proposed methodology is based on a review of body work developed by J. Grotowski and principles from contemporary dance.


Nhandan Chirco is a performing artist, lives and works between Italy and Serbia, Slovenia and Croatia. In '94 / '98 is the artistic team of the Workcenter of Jerzy Grotowski and Thomas Richards. Since '98 he collaborated with director and actor Branko Popovic, with the theater director Tomi Janezic Slovenian, Croatian Zlatko Sviben with the director, has taken courses in contemporary dance and dance contribution (Min Tanaka, Carlotta Ikeda) and has developed several professional collaborations long-term in the field of contemporary dance, as with the dance company EN - KNAP - Ljubljana, with the choreographer Maja Delak, and others. He recently collaborated with musicians of electronic music: Blank Disc, R. Tozai, JC Potvin, Hotel Nuclear, M. Aleksic, I. Lecico. In '04 and 'She taught the course and Body Voice Work in the postgraduate program Body Unlimited - Universita' di Novi Sad, and in '04 / '07 Body Work Academy of Arts in Osijek-Universita 'di Osijek. Since '04 is the author and performer in the performances: Kanun; Mislim Reku; Phrene, in collaboration with Branko Popovic: That's the show; TWO - variation on identity, Play It Again. Under the project STREAMLINE realized in '09 / '10 performances: Quanta, More, Queens.

Rad'Art The project is supported by the Emilia-Romagna and the Province of Forlì-Cesena

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Wanda & Residence Nova diverter Art

Residence Art of Wanda & Nova diverter / Ljubljana (Slovenia)
event of the program via the Border / The East Side (of the moon) by Nhandan Chirco
YANVII in collaboration with Rad'Art Project / Arteco and Theatre E. Petrella

presentations Teatro Petrella - Longiano

Program:

December 17 21:00 h
Wanda & Nova diverter
Frozen Images
Emanat Production Institute, Ljubljana

December 19 18:00 h
Wanda & Nova diverter
Transmittance - preparation of the tools / open rehearsal work-in-progress with theoretical interventions
Adele Cacciagrano, Tihana Maravic, Silvia Mei

For information and reservations

Teatro Petrella Office (Tuesday-Friday 16-19)
Tel 0039 0547 66 51 13
Daily 0039 0544 97 19 58
Ticket online: www.teatropetrella.it

Association YANVII - Teatro Petrella - Rad'Art / artec
have

Maja Delak - Luka Prinčič

Estate Art & Wanda Nova diverter / Ljubljana (Slovenia)


VIA THE BORDER / THE EAST SIDE (of the moon) - residencies and presentations from Eastern Europe

Living and working in the ten years between Italy, Serbia, Slovenia and Croatia, I got to know bottom of the scene in the former Yugoslavia, to notice the quality 'and specific strengths in both traditional forms and in a more targeted research and contemporaneity '. I also realized how weak communication between Italy and these regions of Eastern Europe, though geographically very close. There 's a significant lack of information about what is happening in the arts, and in general, on the other side of the Adriatic, as if our national borders were more' thicker on the east side. It is also a mental edge, the result of a separation taken root in the imagination, derived from the polarization of the Cold War period. In the capital Ljubljana, Zagreb, Belgrade and Sofia there is 'a community' independent artistic lively, artistic and theoretical production intense and articulate, with a strong theatrical and musical tradition. The program VDC / TES, launched by YANVII in 2010 in the context of the festival in collaboration with The Hotel Limbo imperfect laboratory, continued with the participation of the Teatro Petrella, Rad'Art Project and other local institutions and foreign, and 'the result of a series of personal encounters and artistic collaborations. I have intentionally engaged artists who in many cases are also friends, who I know your work directly, with whom I sometimes collaborated and shared their moments of ricercaseguendo in his artistic development over a fairly long time. I stress' cause I want to escape the alleged logic in a standard way to make a schedule, and reversing the usual attributions of value, to open a space apparently based on direct human and artistic contacts, on the 'intimacy' "of artistic relations. I consider these crucial resources, especially in this time of economic crisis, in enabling cultural production - a production is not developed based on mechanical processes, not "bureaucratic". Currently the program events are made only by the desire of artists and professionals involved to join forces to make them possible. The program offers some of the artists' relevant and / or innovative from Eastern Europe, providing not only presentations of shows and concerts, but also moments of reflection and openness to the creative process. The presentations are accompanied by theoretical meetings with the participation of researchers from the DAMS - Universita 'di Bologna, open rehearsals, screenings and opportunities for informal dialogue with the invited artists. Nhandan Chirco

"My decision to create the media of contemporary dance and 'linked to the possibility' of un'idioma construire, to explore and articulate. I am particularly interested to enter into a process that advances the final results. I never felt the language of dance as a simple result, tied to a particular project or show, but rather as the result of continuous research and investigation concerning the limits and boundaries of the medium itself. I always look for points of support in the language of dance, or rather, test the limits of a certain form of expression. The field of contemporary dance, therefore, gives me a constant challenge, not only allowing the exploration of the medium but also the questioning of myself as an individual. "Maja Maja Delak

delak and 'a choreographer and dancer. In his corpus of twelve dance performance Maja Delak has undergone a number of universes, which - despite the differences between the themes and approaches of job - rotate the anchor of the poetic dance of the author, drawing definition of a more and more 'clear methods of contemporary dance. In 2010 he won the Prešeren Fund Award, recognizing the most 'high in the arts in Slovenia. Luka Luka
Prinčič
Prinčič and 'musician, sound designer and multimedia artist, has participated in numerous sonic performance and multimedia projects. His work 'focused on using new technology in a contemporary context in audio-visual sense of self-reflective and social criticism. Most of his work and 'based on' hacker ethic and philosophy DIY & Wanda
diverter Nova's first appearance in the performance Wanda e'avvenuta Ways of Love (The ways of love) with the appropriation of the song "You Do not Own Me" in a review adapted electro-punk, which led interventions Wanda shouted and vocally effective. In the process of improvisation on "granulators" homemade in Pure Data showed a fine sensitivity 'to the delicate sounds dispersed over time. These factors have created the basis for the inevitable collaboration with Nova diverter, and that 'part of the Slovenian electronic scene and noise by more' than a decade. His music / noise ranges dall'elettro "break beat" to "noise drones." This however, urban-born inhabitant of the deep forests and 'most successful' often produce unpredictable results, elusive and difficult to reach.
http://wndv.si
Wanda & Nova diverter
Frozen Images (Frozen Pictures)
The freezing process is a break between movements. As such, the structure of the concert, punctuated by suspensions - breaks between points, is the emergence of a performance of frozen images, full texts, contemporary electronic beats, guitars, extreme, noisy oscillations and hypnotic 'bass lines'. Together with the actions of the performers, the haptic interfaces and moving images, the performance raises questions about the hyper-sexualization and pornografizzazione, the fetishization of consumerism, the mechanisms of image and visual culture, the idealization of love and the meaning of art and culture. Movement, text and images frozen open in their own special way based on sound contemporary organized. The music is contextualized in an ambivalent way through the video image and movement, stretches the body and its vibration, rational and emotional. The frozen images are broken by the vibration of the word and the movement of the body / flesh in all its strength.
Authors: Wanda & Nova diverter
Advice: Maja Smrekar
Music: vocals, keyboards, electronics: Wanda.
Voice, electronics, guitar: Nova diverter. Consulenza audio: Irena Tomažin
Moviment / azioni / SPAZIO: Wanda Programmazione, Sensor, real-time video: New deViator
Video: WNdV, Bostjan Bozic, Miran Bratuš, Ivan Gregor
performers nel video: Matthew Kejžar, Boston Antončič, Jianan Qu , Andrasz Get, Katja Kosi, Irena Mikec
Costume: WNdV, Matija Ferlin / Products
Design: Mauricio Ferlin
Fotografía: WNdV
traduzione: Katja Kosi
Edizione: Anna Simon Radež, Eric Dean Scott
Produzione: Emanat Institute, Ljubljana
Con il supporto di: Ministero della Cultura RS, MOL - Ljubljana Comune di collaborazione con
In: Labor Trbovlje home; KUD Network - AKC Metelkova
city. Partners: Radio Student, K 6 / 4; Clipping; Youth
Promozione e coordinamento: Sabina Potočki.
C ordinazione uffico: Nina Anise
esecutiva Produzione: Andrea V. Atwood http://wndv.si/10/02/25/frozen_images/

Transmittance - preparation of the tools (Inheritance - preparation of instruments)
Open rehearsal with theoretical interventions Adele Cacciagrano, Tihana Maravic, Silvia Mei
Transmittance scans a local scientific and artistic collaboration, global, diffuse and broadcasted on the network. It involves a small art group of performers, visual artists, sound artists and programmers in order to explore possibilities for performing a streaming broadcast via radio and 'telepresence', thus forging new types of performance and receive modes with a focus on artistic languages of critical awareness and social development. The main objective of Transmittance is develop and share performing activities and improvisation based on the body, visual art and sound art / music, using technologies of 'telepresence' free and accessible. The research during his residency at the Teatro Petrella will be mainly aimed at developing tools and methods of creation and improvisation in different media, for the preparation of the planned art project. Transmittance colleague Emanat Institute - Slovenia, YANVII, Teatro Petrella, Rad'Art Project and the laboratory of the imperfect - Italy, Europe Festival Polis Adriatic - Croatia, ESC Gallery - Austria, Kapelica Gallery - Slovenia.

What Does An F Mean On Receipt

LIFE ACCORDING TO

Maria Rosa
Menzio, Fractal 318

Maria Rosa Menzio , Artistic Director of the festival in "Theater and Science: the borders"

have

"LIVING IN GRADE"

e Menzio
Directed by Maria Rosa Maria Rosa and video production Menzio
"Theater and Science


It tells the story of a woman, Life, which wants a normal life. Who is she? About Life is reality? Why
knows nothing of the mechanisms of mutual and pension, because he says he does not have time to be at maturity? What a mystery, and what policy choices are concealed behind her? And his love story unique, exceptional, valuable, perhaps because ordered not to last as
enigma hiding?
Bred for an experiment, she and her husband escape and discover the beauty of everyday life wandering before he is caught. Narrating events in his life marked by the passage of time, episodes of breathtaking beauty, in contact with nature. And the alternative technology to
cruel experiment is often repeated.
The continuous discovery of what constitutes human existence, of that she is not and can not be, the search for a fleeting happiness, as narrated by the social aspect, the killing of an evil person who blackmails her by threatening to reveal his identity, all leads to a review of its work, an opinion that will give viewers "the story is over, the city has fallen, life is ready to sacrifice" during the show, five video and dance (very special, designed especially for Villa Amoretti space) will make
very moving experience and the secret life of the protagonist.

Characters:
VITA ROSA MARIA MENZ
DANCERS Erika Di Crescenzo

Director and video ROSA MARIA MENZ
Technical Management Technical FULVIO CAVALLUCCIO
company CRISTIAN RAINS

MARIA ROSA Menz, director and creator of the "Theater and Science", has a degree in mathematics hour worked in the theater. Dramatic author, director, essayist, has staged eight dramas ("Eating the World" "Father Saccheri" "Fibonacci" "Without End" "The Mill" "Investigation on Cardano absurd" Papers Heaven "and" Boccardi) and has published four
by Basic Books in the book "Space, time, numbers and stars." Published with the international publisher Springer-Verlag Tigers and theorems. He edited, among other things, the director of "Let the numbers" "Harlequin and the color of the quarks," "Juana de luz," "Star found," Starry Messenger "and" Boccardi. Teaches courses on "Science and Theatre" at public libraries (TO) and
Master of Science Communication at the University of Cagliari.

Erika Di Crescenzo since 1998 working as an interpreter and creator in the field of dance, theater and improvisation. is formed, among others, Frey Faust, John Di Cicco, Simone Forti, Alberto Valente. She graduated from Dams leads theoretical and practical workshops. Since 2006 'DaivaJyoti artistic director of the center, where yoga and the arts come together in a theatrical
only reason. His works have participated in several festivals including: Space for Contemporary Dance, Video.It, The Platform, Inside / Off, etc. ... the last year worked between Paris and Geneva with the choreographers and Miryam Gourfink Lucie Eidenbenz and in Turin with Barbara High.

Maria Rosa Menzio, Fractal 318


"LIVING IN GRADE" by Maria Rosa
Menzio

Saturday, December 4, 2010 16:30
Villa Amoretti, Public Library, 200
Corso Orbassano, Torino
FREE ENTRY

6036 Ritetemp Instructions

The sounds that surround us






Workshop. Sound walks. Plays

Program

Saturday, December 4, 2010 at 10 am

Reception of participants and presentation of
Greeting Raffaele Giovannini, Head of Culture of the Common Market
Saraceno
10.30
center
sound walks led by Massimo Liverani


11.30 am What do we mean when we speak of acoustic design. First session
by Francesco Michi and Mechi Cena

Lunch at 15.00


Time Design, edited by Albert Mayr
at 17.30
harmful effects of sound, by Massimo Liverani



dinner break at 21 Former Wash / Pro Loco

evening of listening Listening to the sound materials proposed by the workshop conductors

Sunday, December 5, 2010 at 10 am

What do we mean when we speak of acoustic design. Second Session 11.30 am

evolutionary and temporal aspects of the soundscape, by Massimo Liverani

Lunch

15 hours along the river Savio
TIME WALK A walk led by Albert Mayr
0re 16:30
What do we mean when we speak of Acoustic Design . Closing Session

18 Hours
greet the participants of the meetings

Places:
Veggiani Antonio Library. Piazzetta del Savio 4 Ex
Wash / Pro Loco. Via Garibaldi, 11
Mercato Saraceno (FC)

For information and reservations:
Association artec
333 805 29 38-339243 01 30
roca@arteco.org


A proposed project by: Project
Rad ' Art. Association artec
In collaboration with:
FKL. Forum Klanglandschaft Section

Italy With the sponsorship of Mercato Saraceno - Department of Culture

Rad'Art The project is supported by the Emilia-Romagna and the Province of Forlì-Cesena